트렌딩 AI 비디오 프롬프트

“a double exposure photograph depicting the silhouette profile and headshot portrait of a [profession or character], with [symbolic environment constructed from digital architecture or data elements], in the style of double exposure photography, sun flare, white background, hyper-realistic, detailed rendering, stock photo, high-resolution photography.”

“SCENE: FIRST-PERSON POV BATTLEFIELD - DUSK / OVERCAST Single Take (POV) ATMOSPHERE: Chaotic, claustrophobic, and intense. Mud, soot, and the metallic scent of damp iron fill the air, constricted by the narrow open slit of the knight's heavy helmet. The sheer size and unstoppable force of the giant ogre contrast sharply with the grounded human perspective trapped inside the heavy suit. SHOT DESCRIPTION: A relentless, unbroken first-person perspective shot from within the knight's helmet, framing the heavy physical interactions through a rigid metal visor slit (no glass). The camera simulates the heavy, jarring physics of a body taking a massive kinetic strike, being launched backward through the air, executing a rapid barrel roll through the mud to dodge an axe, and intercepting the ogre's momentum by bracing a broadsword against the ground. TIMELINE / SHOT-BY-SHOT: 0:00-0:03 - [First-Person POV / 24mm Wide Angle / Shaky Handheld]. Through the dark, scratched metal visor slit, a massive ogre lunges forward and throws a powerful punch directly into the knight's body, launching the subject. SFX: Loud metallic clatter, sudden high-pitched tinnitus ring starts. LIGHTING: Harsh, diffused gray dusk light over a muddy battlefield. 0:03-0:06 - [Sudden Aerial Tumbling / Hard Crash]. The kinetic impact launches the armored knight far backward through the air. The horizon spins and tumbles rapidly through the narrow visor slit in a disorienting, weightless arc before a heavy, sudden crash deep into the mud. A harsh, deafening tinnitus ring instantly masks all background noise. SFX: Piercing tinnitus ring, followed by the heavy, sloppy thud of armor hitting mud. 0:06-0:10 - [Low Angle POV / Rapid Sideways Roll]. The ogre quickly closes the distance, towering above and bringing down a massive rusted battle axe. The camera simulates a rapid full-body barrel roll across the muddy earth; the sky, mud, and ogre blur together in a dizzying horizontal spin as the colossal axe blade violently slams into the soft mud inches away, drastically shaking the camera on impact. SFX: Whoosh of heavy steel cutting air, booming earth-shattering thud. 0:10-0:15 - [Low Angle POV / Heavy Ground Anchor]. Enduring the roll, a mud-caked steel gauntlet frantically grabs a discarded broadsword from the muck. As the ogre charges forward again, the knight bracingly anchors the sword's hilt firmly into the ground, aiming the tip upwards. The roaring ogre's sheer downward momentum causes it to collide heavily against the anchored blade, stopping its charge in a tense, brutal clash of kinetic energy. The armored gauntlets shake intensely in the frame, struggling to hold the broadsword steady against the crushing weight of the giant creature pushing down. SFX: Heavy physical impact, deep bass roar as the ogre strains against the blade. TECHNICAL & RENDER: - Camera: Frantic, heavy first-person POV, simulating the weight of a human inside an iron suit, restricted field of view framing via helmet visor. - Light: Diffused, bleak overcast dusk, cool color temperature with harsh metallic reflections. - Lens: 24mm (simulating human eye field of view but distorted by the helmet enclosure). - Modifiers: Shot on 35mm film, photorealistic, cinematic atmospheric lighting, highly detailed, raw footage, motion picture, 8k resolution, volumetric rendering. MICRO DETAILS & TEXTURES: - Dents and thick mud caked firmly onto the heavy iron framing of the helmet's open visor slit, keeping the viewpoint completely unobstructed by any unnatural glass reflections. - The coarse, rugged, gray-green leathery skin of the giant ogre, matted with sweat and dirt. - Deep, jagged scratches and rusted indentations on the shaking steel gauntlets holding the broadsword. SOUND LAYERS: 0:00-0:04: Raging battlefield ambience suddenly cut off by a deafening metal impact. 0:04-0:10: Piercing, continuous tinnitus ring completely masking external sounds, panicked, labored breathing inside the helmet. 0:10-0:15: Heavy metallic clash, deep roar slowly cutting back through the fading tinnitus.”

“Punch the Monkey punches back. Make the girls proud.”

“Make a Pixar film about Punch. I want to cry and fall in love with him.”

“A desert wasteland filled with decaying mechs and overgrown cables. The camera follows a scavenger wearing goggles as they climb through a rusted robot head. Lightning flashes in the distance, illuminating a sandstorm approaching fast. VFX: wind simulation, sand particle systems, metallic textures, dynamic lighting flashes.”

“Trump arrives in Fortnite!”

“AI goes woke. Make it really offensive - like really offensive.”

“{ "prompt": "ultra realistic high fashion photograph of Emilia Clarke sitting on fresh white snow outdoors in winter. Recognizable facial structure and likeness of Emilia Clarke: oval face shape, soft youthful features, expressive almond-shaped green eyes, naturally full lips, straight petite nose, balanced facial symmetry. Natural winter blush on cheeks and nose. Calm confident expression with a subtle closed-mouth smile, looking directly into the camera. She is seated on the snow with legs bent forward, slightly apart, hands placed behind her for support. Camera angle slightly above eye level, gently looking down. She wears a fitted ribbed sleeveless zip-up yellow bodysuit and pink cable-knit thigh-high socks. Elegant minimal winter fashion styling. Slim, petite, feminine body proportions. Fair-to-light skin tone with natural texture. Background is a snow-covered ground with a dragon partially visible. Natural overcast winter daylight, soft diffused lighting, no harsh shadows, cinematic realism, high skin detail, realistic color grading.", "negative_prompt": "anime, cartoon, illustration, painting, exaggerated curves, unrealistic body proportions, overly sexualized pose, heavy makeup, glossy lips, plastic skin, blur, low resolution, distorted face, extra fingers, extra limbs, harsh studio lighting, artificial light, overly sharp, deep fake artifacts", "settings": { "style": "photorealistic celebrity portrait", "quality": "ultra high", "resolution": "1024x1536", "camera": { "type": "professional DSLR", "lens": "50mm prime", "aperture": "f/2.8", "focus": "sharp focus on eyes and face, subtle background blur" }, "lighting": { "type": "natural daylight", "condition": "overcast winter sky", "direction": "soft frontal light with gentle fill" } }, "facial_details": { "identity": "Emilia Clarke", "face_shape": "soft oval", "eyebrows": "natural medium thickness, softly arched, dark brown", "eyes": green eyes, almond shaped, expressive, youthful", "eyelashes": "natural, lightly defined", "nose": "straight and petite", "lips": "naturally full, soft pink tone", "makeup": "very minimal, clean skin look, no contour, no heavy blush" }, "hair": { "color": "platinum blonde", "length": "long shoulder length", "style": "loose, slightly wavy with braids, natural texture", "part": "center part", "volume": "soft and natural" }, "body": { "build": "petite, slim, feminine", "posture": "relaxed seated pose", "skin": "fair to light skin tone, visible natural texture" }, "environment": { "location": "outdoor winter setting", "ground": "fresh untouched white snow", "background": "ruins and a dragon near", "atmosphere": "cold, serene, editorial winter fashion mood" } }”

“A gigantic armored mech emerges in the middle of a modern city, its thunderous footsteps shaking the streets and sending shockwaves through towering buildings. Dust and debris fill the air as terrified crowds run in panic, cars scatter, and chaos unfolds everywhere. The colossal machine moves like an unstoppable force, crushing everything in its path, creating a scene of pure cinematic destruction. Ultra-realistic visuals, dramatic atmosphere, intense scale, blockbuster movie style, epic action, 4K, high detail, realistic VFX, dark cinematic tone.”

“let's see paul allen's dx terminal agent”

“keep the central person completely motionless and frozen like a statue. Animate only the surrounding background and people with fast-paced movement and heavy motion blur, creating a dynamic time-lapse effect around the static subject. The camera must remain perfectly fixed.”

“A father. A daughter. A fight scene straight out of a video game.”

“Make a beautiful 9:16 wallpaper. Leave natural negative space near the top and bottom. Give the wallpaper a subtle top to bottom gradient. No blur effects or cropping. Keep the scene simple.”

“Seated in the corner of a dimly lit, opulent jazz lounge, the man attached in the uploaded reference image (Keep the face of the person 100% accurate from the reference image) embodies an air of enigmatic power. The sapphire-blue velvet Tom Ford dinner jacket catches the flickering candlelight, revealing rich texture against the deep shadows. His silk pocket square is crisp, a heavy crystal tumbler of whiskey rests in his hand, and his eyes are locked intensely on an unseen performer. The surrounding room is a haze of swirling cigar smoke and golden bokeh, a masterpiece of atmosphere suspended between intense focus and midnight luxury. Aspect ratio 5:3”

“A girl in traditional Chinese attire begins her emotional and passionate dance on the still, dark water. The camera moves in to capture her face full of emotion, then pulls back sharply to reveal the sweeping gestures of her long sleeves. The shots are filmed from various angles - from below to accentuate the power and grace of her movements, and from above, turning her dance into a mesmerizing pattern on the water. Each of her steps and turns is filled with passion. Golden sparks and cherry blossom petals swirl around her, and the water beneath her feet erupts in golden circles in time with her expressive movements.”

“15-degree Dutch angle on man in interrogation room, single harsh overhead practical creating Rembrandt lighting triangle on left cheek, 4:1 key-to-fill ratio, camera push-in from wide to medium shot over 8 seconds while rotating counter-clockwise 5 degrees intensifying angle to 20-degree cant, desaturated palette except warm sodium vapor overhead, film noir chiaroscuro contrast, small amounts of sweat, specular highlight”

“Camera drops into the abyss. Dynamic high-speed FPV racing drone fly-through, weaving and tightly cutting corners through a vertical glacial canyon in Iceland at blue hour, plummeting straight down a 200-meter ice shaft before pulling a 9G snap roll through a natural ice arch, banking razor-close to translucent blue-white ice walls revealing deep trapped air bubbles within, kicking up powder crystals at every corner that catch the low sun at 3° above the horizon, speed held at 160km/h — motion blur smears glacial cyan and white across every edge of the frame, breath-fogging the virtual lens, sun lens glare refracting into a 12-point starburst through ice crystals, shot on GoPro Hero 12 fisheye, cold blue-white grade with crushed shadows, 4K hyperrealistic, raw elemental violence.”

“change every frame in the entire scene to match the art style of the arcane animation, style transfer”

“A cinematic apocalyptic disaster scene in a modern city. Massive bridge collapsing into the river, huge explosions destroying skyscrapers, buildings shattering with debris flying, people running in panic through dust and chaos. A giant meteor falling from the sky causing a massive shockwave, tsunami waves flooding the city streets, dark stormy clouds, dramatic lighting, ultra realistic, cinematic camera movement, slow motion destruction, high detail, 4K, epic scale, intense atmosphere, movie-like quality similar to Hollywood disaster films.”

“A white fox pup curls asleep on a bed of crisp lichen; individual frost crystals sparkle on its fur under pale polar sun. 100 mm macro realism, diffused ring-light, razor-thin focus.”

“The Cake plate start to round spin while ingredients separate gently and precisely, maintaining alignment and scale. The motion is smooth, with no extra effects.”

“The camera plunges forward through a flooding submarine corridor, closely following a sailor desperately sealing bulkhead doors amid torpedo impacts. Water pours violently through cracks, electronics spark dangerously. The sailor navigates floating debris, leaps between slippery decks, and manually activates an emergency ballast valve just as the flooding stops inches from critical equipment.”

“Elon Musk as the Amazing Bulk on Joe Rogan’s podcast, advertising Perp Schmeg; ASMR”

“A multi-shot sequence starting from the provided wide shot. Initially, the camera is static; the man on the right slowly touches his hair and gazes upward, leaning his weight into the tree, while the woman on the left tucks her hair and watches him. Then, a sharp cut to a close-up of the man looking at the canopy before he dismissively turns his face away from the lens. A second cut returns to the wide shot as the woman begins walking toward him. The camera tracks her movement, tightening into a medium two-shot as she arrives. She places her hand on his shoulder. Finally, the man makes eye contact, his face breaking into tears with visible, heavy heaving of the chest. SFX: Rustling leaves, muffled footsteps on moss, and the sound of ragged, emotional breathing.”

“seinfeld episode about george's @DXRGai agent, make no mistakes”

“Movie trailer of Clavicular getting framemogged by the ASU frat leader”

“Ultra-realistic high speed beverage product photography on a seamless solid warm yellow background and matching reflective liquid surface. Center frame a chilled matte yellow aluminum soda can standing upright in the middle of a shallow pool of yellow colored liquid, the can covered with fine condensation droplets and realistic metallic texture, large elegant black flowing script typography across the front with smaller clean text beneath and a small red circular seal near the bottom,”

“A dramatic reveal of a glowing Coca-Cola bottle at the center, surrounded by bursts of Sprite, Fanta, and Minute Maid packs flying into the scene. Refreshing splashes of ice-cold soda explode with dynamic light trails, citrus slices and droplets suspended in slow motion. Bold, cinematic, ultra-realistic, wide-angle composition, premium advertising style with photorealistic liquid details and dramatic lighting. --ar 2:3”

“Jordan frame moggs Lebron”

“Claude The Animation by Anthropic Studios”