トレンドAI動画プロンプト

“Environment: A surreal ocean in the sky where enormous waves float between cloud layers. Waterfalls spill endlessly downward into the clouds below while golden sunset light illuminates the horizon. Action: 15.0s sequence. A colossal sky-whale made of shimmering water currents glides through the floating ocean waves. Rising from the clouds below, a massive kraken formed from swirling storm clouds and lightning tendrils attacks. They collide as the kraken’s tentacles wrap around the whale while both creatures crash through floating waves. Velocity Ramp choreography: the whale’s massive tail strike slows to reveal suspended droplets and lightning arcs before detonating outward as the motion resumes. Camera: Wide aerial tracking shot flying alongside the whale before diving beneath the floating ocean surface as the creatures crash through the water. Style & Constraints: Photorealistic water physics, volumetric cloud lighting, ray-traced reflections on wave surfaces, cinematic sunset atmosphere, 8K resolution.”

“(Image 1) as a live-action reference; create a 15-second video trailer with a cyberpunk, dark, shadowy vibe, an epic, all-encompassing intensity, and a visually explosive impact. No text or symbols in the frame. Entirely live-action.”

“First-person POV from an ATV racing through a massive desert sandstorm. Visibility drops as sand blasts across the camera. Lightning flashes inside the storm clouds. The rider jumps a dune ramp and lands near a moving cargo convoy. Desert storm POV ride, dune jump stunt, cinematic dust chaos, 4K.”

“She stands alone on the elevated bridge of a massive fantasy airship at night, with ornate iron railings and glowing cyan accent lights. The ship has a dark gothic organic design with intricate surface details. She gazes out at the dark sky with an empty, distant expression. The night sky and landscape behind her gradually distort and shift into a scorched, burning wasteland filled with smoke and fire. Camera slowly zooms in as the background transforms. Dark, haunting atmosphere, anime style. No background music, sound effects and dialogue only.”

“ultra-cute 3D chibi anime style, hyper-realistic rendering with fluffy textures. Main character: adorable anthropomorphic penguin-girl hybrid — black penguin body with white fluffy belly, bright yellow beak and feet, wearing a black bob haircut with straight bangs and silver hair clips, huge expressive gray eyes with long lashes and catchlights, rosy cheeks, small open mouth. She has a silver metal collar with ring around her neck. Standing on a soft beige carpet in a cozy modern living room, blurred gray sofas and warm lamp light in background. Shallow depth of field, golden hour indoor lighting, high contrast on character. Scene: two human hands pointing accusingly at her from foreground. She reacts with big surprised eyes, waddles cutely, flaps her little wings, tilts her head, and does a funny gugugaga baby-dance while lip-syncing in high-pitched baby voice: “This is it!”, “goo gua goo gua”, “Come on today too”, “Auntie needs to go to bed quickly!” with giggles and “Ah!” sounds. Add floating penguin emojis 🐧🐧🐧 and subtle hashtag text overlays #gugugaga #kukukaka. Smooth 60fps animation, expressive micro-movements, perfect lip-sync, viral kawaii aesthetic, maximum cuteness overload, trending TikTok style, original sound with baby giggles and voiceover. Cinematic yet playful, warm color grading, shallow DOF.”

“Shot 1(8 seconds) a Powerful female character. Cinematic wide shot, soaring above a dramatic, swirling sea of golden hour clouds as warm orange sunlight catches the mist. Wind whips her hair and clothing with high physical realism. From all directions, sleek futuristic mechanical armor pieces—chest plate, shoulder guards, gauntlets, leg armor, and a glowing helmet—fly in at high speed, trailing vibrant light streaks and cyan engine exhaust. Each piece magnetically snaps and locks onto her body one by one with satisfying mechanical precision and visible inertia, reflecting the golden sunlight off chrome and matte carbon fiber surfaces. The camera orbits her dynamically as the assembly completes, ending in a tight close-up as a digital visor slides shut over her face, eyes glowing with blue energy as she charges up, unleashing a shockwave of light that displaces the surrounding clouds. High-fidelity textures, micro-scratches on metal, realistic motion blur, and cinematic lens halation. Shot 2(4 seconds) Continuing the flight, the character accelerates through the clouds, her new futuristic suit glowing with internal power. The camera maintains a low-angle heroic perspective, capturing the intricate contact shadows between the armor plates. Particles of ice and dust trail behind her as she breaks the sound barrier, the sky shifting from gold to a deep twilight purple. Realistic physics of the wind resistance against the suit's hard surfaces is evident. Final shot of her hand reaching toward the sun as energy ripples across the gauntlet.”

“Disaster film realism, one-take. The camera starts high above a drowned capital city in violent storm weather, then dives toward a lone emergency technician standing on the shattered roof of a flooded museum. He sees a rescue flare in the distance and runs. The camera follows tightly behind him as he sprints across collapsing rooftops, leaps over broken skylights, slides down a tilted glass dome, and grabs a dangling cable. Below, dark floodwater surges through streets filled with drifting cars and statues. He lands on a partially submerged tram roof, keeps moving, and reaches a rescue beacon platform just as a giant wave crashes past behind him. Cold grey-blue apocalyptic palette, hyperreal water physics, wind, spray, handheld urgency, one continuous shot, no cuts.”

“A woman is applying makeup to her face as the camera shows an open door behind her. Suddenly, a mud-like liquid begins to invade her room. She becomes frightened and climbs onto a chair to escape the mud. The room fills rapidly until she is floating near the ceiling in the liquid, hitting it. With each impact, the ceiling begins to open, revealing sunlight.”

“Turkish Ice Cream Tricks - Pixar style animation”

“An adventurer launches her pale ice creature from a frozen cliff's edge — the creature diving over a vast icy expanse as snowflakes scatter. Camera positioned along the cliff captures the creature dropping before extending its wings. The rider leans forward as the creature spirals down between towering ice formations. Below: armored behemoths march across the frozen terrain. The creature releases a chilling blast while climbing sharply upward, frost spreading beneath. Frozen canyon flight, aerial maneuver, icy landscape, cinematic lighting, 4K.”

“This depicts the battle between Saitama and Garou. With just a single punch from Saitama, a massive gust of wind erupted, shattering the ground beneath them. Garou, using his incredible speed and agility, parried the blow and launched a counterattack. As the two exchanged a flurry of punches and kicks, the sky and the earth shook with the deafening roar of their confrontation.”

“FORMAT: 15s / ONE CONTINUOUS SHOT / cinematic realism / no cuts, dread-heavy suspense, hostile storm sound design SCENE: A frozen battlefield lies buried inside a violent blizzard, visibility reduced to fragments of metal, cloth, and human remains under the snow. A wounded armored knight kneels alone with a sword planted into the ground, armor crusted with ice, body barely holding together against the cold. The viewer should feel immediate exposure, suffocation, and predatory tension, as if the storm itself is hiding a living threat. The entire clip must play as one uninterrupted stalking camera move. TIMELINE: 0:00-0:04 : SETUP. Low predatory tracking shot pushing through dense blowing snow, the lens repeatedly struck by hard ice particles that obscure and clear the image. The camera drifts past a half-buried shield smeared with a frozen dark stain, then reveals warped silhouettes beneath the drifts, a snapped spear jutting out at an unnatural angle, a helmet half-swallowed by packed snow, all framed with Fincher-like control and withheld information. SFX: aggressive wind roar, abrasive snow against metal, distant sub-bass storm rumble. 0:04-0:10 : ESCALATION. The camera turns right and lands on a kneeling armored knight using a grounded sword for support, motionless at first except for harsh breath venting into the cold. The cloak jerks violently in the gale, small ice pieces crack loose from the armor, and the camera creeps closer with almost invisible precision before circling behind, tightening the frame while refusing full relief. SFX: ragged breathing, armor groan, cloth snapping sharply, buried metal ticking in the cold. 0:10-0:15 : PAYOFF. Over the knight's shoulder, the storm briefly thins and a colossal shape moves through the white curtain with slow, impossible weight, never fully visible at once. The knight feels it, raises the head in dread, breath quickening, hand crushing the hilt before pulling the sword free in one hard motion that throws snow into the lens as the creature's outline looms clearer for an instant. SFX: deep crushing footfalls, sudden wind drop, sharp inhale, steel tearing free from frozen ground, snow bursting outward.”

“{"shot": { "composition": "close-ups, wide reveals, ending with full 360° orbit", "lens": "50mm", "frame_rate": "24fps", "camera_movement": "rotating reveal around the vehicle" }, "subject": { "description": "White high performance Lamborghini assembling from holographic internals to a sleek final form", "props": "engine, transmission, electronics, body panels, wheels, dashboard"}, "scene": { "location": "glossy, minimal stage", "time_of_day": "digital space", "environment": "high-gloss, clean product showcase with controlled lighting"}, "visual_details": { "action": "components snap together with light bursts; wheels align, dashboard lights up", "special_effects": "holograms, flares, digital UI, electrical effects"}, "cinematography": { "lighting": "high-contrast spotlights for texture and reflections", "color_palette": "cool tones, black & metallic with bright highlights", "tone": "futuristic, sleek, intense" }, "audio": { "music": "cinematic electronic with deep bass and synths", "ambient": "rich pads", "sound_effects": "clicks, whirs, growls, whooshes, UI beeps", "mix_level": "high clarity and punch"}, "dialogue": { "subtitles": false }}”

“A man in his early 30s, stubble beard, wearing a black armored motorcycle suit with reflective alpine stripes and a tinted racing visor, races a superbike along a narrow mountain highway carved into a cliffside in the Swiss Alps. Snow whips across the road as the camera tracks low beside the motorcycle tires gripping the frozen asphalt. At the 2-second mark a thunderous crack echoes across the mountain — an avalanche begins collapsing above the road. A massive wall of snow pours over the cliff behind him while chunks of ice crash onto the highway. The rider accelerates through a narrow tunnel opening just as the avalanche spills across the road. Exiting the tunnel he launches off a broken section of highway, the bike airborne above a deep alpine valley before landing on the next stretch of road. Alpine avalanche escape stunt, frozen cliffside highway, airborne motorcycle jump, cinematic snow debris chaos, 4K.”

“High-quality dynamic 3D animation of a high-speed magical forest journey. A group of riders in ornate fantasy costumes are mounted on glowing magical creatures, including a glowing spirit wolf, a shimmering crystal stag, a giant phantom owl, and a spirit leopard. They are racing through a stunning forest filled with giant glowing crystals. The scene features volumetric fog, dramatic lighting, and swirling trails of magical particles. Fast dynamic camera movements create a vibrant sense of forward motion. Seamless video transitions, a 15-second fast-paced rhythm, and a dynamic visual sequence.”

“Astronaut lying on a damaged space station deck. [cut] Close-up shot of the astronaut's face as they open their eyes inside a cracked helmet. [cut] Crew mates launching the escape pod, shouting, 'Airlock is breached, leave him!' [cut] Massive alien tendrils tearing through the exterior hull. [cut] Astronaut trying to push off the deck in zero-gravity.”

“A stunt driver in a bright orange rally suit races a muscle car across a suspension bridge during a violent storm. Lightning strikes a bridge tower and the roadway begins collapsing. At the 2-second mark the driver hits a broken ramp of twisted asphalt and launches the car into a rotating flip above the river. Camera from a passing helicopter tracks the car spinning in slow motion against the storm clouds. The vehicle lands sideways on the opposite span and slides through rain and sparks. Storm bridge destruction stunt, aerial car flip, cinematic rain lighting, 4K.”

“A woman in her late 20s wearing a flowing black combat coat threaded with glowing silver star patterns leaps across fragments of shattered asteroids drifting in deep space. Facing her is a tall alien warrior clad in crystalline armor emitting pulsating violet energy from within its translucent body. She attacks in a continuous chain — rapid teleport dashes, spinning blade arcs, and gravity-defying aerial strikes that send waves of cosmic energy rippling through the asteroid field. The alien warrior counters with massive gravity pulses that shatter nearby asteroids and fling debris outward like meteor storms. Camera orbits the duel in sweeping zero-gravity arcs, drifting through the debris field while alternating between intense close-up blade clashes and wide celestial views of the asteroid battlefield. Velocity ramps drive the spectacle — attacks accelerate into blinding flashes while key impacts freeze momentarily, showing fragments of rock and energy suspended in the void before motion resumes. Environment: a drifting asteroid field above a glowing nebula, distant planets visible through clouds of cosmic dust. Soft nebula light in blues and purples illuminates the scene while bright energy bursts from the combatants create dramatic diegetic flashes across floating debris. Hyper-realistic space lighting, cinematic rendering, volumetric nebula clouds, cinematic grain, 8K resolution.”

“First-person POV camera looking down at two hands in latex kitchen gloves pressing a soap dispenser at a bathroom sink, a completely ordinary domestic morning. The soap emerges. At the 2-second mark the foam expands beyond the palm still expanding, pushing both hands outward, filling the sink basin in four seconds, overflowing the counter in six. Camera pulls back as the foam volume doubles every two seconds: doorframe, hallway, staircase, the foam moving with the same even pressure in all directions simultaneously, furniture disappearing beneath the surface. The camera is riding the foam's leading edge, always just ahead of submersion. Outside window visible at the midpoint: the foam is exiting the house from every opening. Aerial pull-back reveals the entire neighborhood block going white. Warm bathroom light transitioning to overcast outdoor grey as scale expands. Foam-expansion velocity ramp, scale-shift reveal, deadpan domestic catastrophe, photorealistic soap physics, 4K.”

“A woman in her mid-30s wearing a heavy arctic survival suit races across the deck of a massive icebreaker ship cutting through frozen seas. Behind her a towering wall of collapsing glacier ice crashes into the ocean. At the 2-second mark she jumps onto a snowmobile and accelerates toward the bow ramp as the ship tilts from the impact. The snowmobile launches off the ramp and lands on a drifting iceberg. Camera drone captures the small vehicle racing across floating ice fragments while the glacier collapses behind. Arctic ocean chaos, snowmobile iceberg landing, collapsing glacier wall, icy debris explosions, cinematic realism, 4K.”

“0-2 seconds (Shot 1) - Visuals: The bridge shakes violently, steel cables snap with exploding sparks, a multi-car pile-up occurs, people scream and run in chaos. - Camera: Handheld shot, high-urgency close-up. - Audio: Sound of cables snapping + people screaming + car crashes. - Tao Ge: Running frantically through the traffic, looking back in terror. 2-5 seconds (Shot 2) - Visuals: A massive wave capsizes a cargo ship, sending shipping containers flying into the sky. - Camera: Low-angle shot + rapid zoom. - Audio: Roar of a tsunami + sound of metal piercing the air. 5-9 seconds (Shot 3) - Visuals: A shipping container hurtles toward the bridge at high speed! - Camera: 1.2x slow motion, oppressive perspective. - Dialogue (Tao Ge screaming): Get out of the way!! 9-11 seconds (Shot 4) - Visuals: Tao Ge performs an extreme sideways dive and roll. - Camera: Tracking the roll. - Audio: The container slams into the ground with a thunderous crash, debris flying everywhere. 11-12 seconds (Shot 5) - Visuals: Tao Ge lies on the ground and looks up; the bridge collapses further. - Camera: Close-up of terrified eyes. - Fade to black.”

“a city street during a red light; everyone is stopped and waiting. a young man is on a bicycle with a ragdoll cat perched on the back. beside him, a beautiful young woman is on another bicycle, carrying a basket full of dead fish on her rear rack. the camera angle is a pov shot from inside a car parked directly behind the two bicycles. the ragdoll cat reaches out a paw, attempting to snatch a fish. just as its paw extends, the car honks - beep, beep, beep! startled, the cat flinches and quickly retracts its paw. it turns to glare fiercely at the car behind it, lets out a sharp meow, and raises a paw to swipe angrily toward the camera. the scene is filled with the sound of fierce, disgruntled meowing.”

“WWI soldier sprinting across an open battlefield during a massive assault, muddy cratered ground, barbed wire, artillery explosions tearing through the field, dozens of soldiers charging across the landscape, chaos and debris everywhere, the soldier running straight through the battlefield while others fall or collide around him, massive explosions erupting nearby - SIDE PARALLEL TRACKING with the camera running alongside him as he pushes forward through the assault - CONTINUOUS TRACKING SHOT - SINGLE TAKE CINEMATIC FORMAT: 15s / 105 BPM / ONE CONTINUOUS SHOT / NO CUTS / EXPLOSION LIGHT FLASHES.”

“Stop-motion clay animation, handcrafted tactile materials, real fabric, warm afternoon park lighting. Wide shot: a clay figure with a matchbox head and a clay figure with a lit candle head sit together on a real tiny park bench, mid-conversation — candle flame flickering gently, matchbox drawer slightly open, easy and close. [cut] A distant rumble. Both heads turn. [cut] Close-up — a clay figure with a fire extinguisher head rolls in on a real tiny motorcycle, pressure gauge redlined, nozzle tilted back, one hand loose on the handlebar. He stops. Says nothing. [cut] Close-up of the candle head — the flame doubles in size instantly. The wax drips straight down. [cut] Wide shot — the candle stands up. Smooths her skirt. Gets on the back of the motorcycle without looking back. The motorcycle pulls away. [cut] Close-up of the matchbox head — alone on the bench. The little drawer slides open. Then slowly, all the matches fall out one by one onto the ground.”

“Stormy night ocean, massive waves under lightning flashes. The sea churns violently as a colossal feline titan rises from the depths, water cascading off its fur in slow motion. Low-angle cinematic shot, glowing eyes piercing rain and fog. Navy warships surround it, firing missiles and cannons, explosions lighting the clouds. The giant cat roars, shockwaves rippling across the water. It swipes a destroyer aside, metal bending, sparks flying. Its dorsal fur begins glowing electric blue, energy pulsing from tail to head. Close-up as bright blue light builds inside its mouth. The storm falls silent. Suddenly, a concentrated blue energy beam blasts forward, cutting across the fleet. Ships erupt in fireballs, steam rising as ocean water vaporizes. Wide aerial shot of destruction glowing blue across dark waves. Hyper-realistic, volumetric fog, cinematic lighting, IMAX scale, dramatic orchestral mood, 4K detail.”

“Hyperrealistic miniature diorama, stop-motion animation, handcrafted tactile materials — real fabric, clay, wire armatures, actual tiny props. A clay man sits at a miniature desk in a cozy office, a real tiny laptop open in front of him glowing with a familiar chat interface — white screen, alternating grey and white bubbles. His clay head is in cross-section — one half of his skull open like a hinged lid revealing a plump, healthy, pink clay brain filling the entire cavity. He types a question. [cut] The chat responds — a grey bubble appears. He smiles. In stop-motion the brain shrinks slightly, a tiny gap appearing between brain and skull. He doesn't notice. He types again. [cut] Rapid montage — each question fired off in quick stop-motion. With every sent message the brain shrinks one click smaller — plump to walnut to grape to pea. The empty skull space fills with real tiny cobwebs, a miniature tumbleweed rolls through, a small 'FOR RENT' sign pops up on a tiny stake inside his head. [cut] Close-up of the skull interior — the brain is now a single tiny pink crumb rattling around the bottom of an enormous empty cavity. A real tiny echo visual — the crumb bounces off the walls like a screensaver. [cut] Wide shot — the man leans back with a huge satisfied clay grin, arms behind his head, feet on the desk. The laptop screen shows hundreds of conversations in the sidebar. On the wall behind him, framed diplomas gather real dust. A real tiny spider has built a web between his ear and his shoulder. He looks completely content. The brain crumb settles in a corner and stops moving”

“Race sequence, presented in rapid cinematic coverage with dynamic angles and intense motion energy - QUICK CUTS - BEAT SYNC HARD EDIT FORMAT: 15s / 120 BPM / 12 SHOTS / HARD CUT.”

“If life is a journey, I want this to be the view.”

“Shredding through the seasons 🍂❄️”

“Show my support for all the beautiful Persian baddies that are about to get liberated. Get me at least three of their numbers.”