Trendige KI-Video-Prompts

“SCENE: FIRST-PERSON POV BATTLEFIELD - DUSK / OVERCAST Single Take (POV) ATMOSPHERE: Chaotic, claustrophobic, and intense. Mud, soot, and the metallic scent of damp iron fill the air, constricted by the narrow open slit of the knight's heavy helmet. The sheer size and unstoppable force of the giant ogre contrast sharply with the grounded human perspective trapped inside the heavy suit. SHOT DESCRIPTION: A relentless, unbroken first-person perspective shot from within the knight's helmet, framing the heavy physical interactions through a rigid metal visor slit (no glass). The camera simulates the heavy, jarring physics of a body taking a massive kinetic strike, being launched backward through the air, executing a rapid barrel roll through the mud to dodge an axe, and intercepting the ogre's momentum by bracing a broadsword against the ground. TIMELINE / SHOT-BY-SHOT: 0:00-0:03 - [First-Person POV / 24mm Wide Angle / Shaky Handheld]. Through the dark, scratched metal visor slit, a massive ogre lunges forward and throws a powerful punch directly into the knight's body, launching the subject. SFX: Loud metallic clatter, sudden high-pitched tinnitus ring starts. LIGHTING: Harsh, diffused gray dusk light over a muddy battlefield. 0:03-0:06 - [Sudden Aerial Tumbling / Hard Crash]. The kinetic impact launches the armored knight far backward through the air. The horizon spins and tumbles rapidly through the narrow visor slit in a disorienting, weightless arc before a heavy, sudden crash deep into the mud. A harsh, deafening tinnitus ring instantly masks all background noise. SFX: Piercing tinnitus ring, followed by the heavy, sloppy thud of armor hitting mud. 0:06-0:10 - [Low Angle POV / Rapid Sideways Roll]. The ogre quickly closes the distance, towering above and bringing down a massive rusted battle axe. The camera simulates a rapid full-body barrel roll across the muddy earth; the sky, mud, and ogre blur together in a dizzying horizontal spin as the colossal axe blade violently slams into the soft mud inches away, drastically shaking the camera on impact. SFX: Whoosh of heavy steel cutting air, booming earth-shattering thud. 0:10-0:15 - [Low Angle POV / Heavy Ground Anchor]. Enduring the roll, a mud-caked steel gauntlet frantically grabs a discarded broadsword from the muck. As the ogre charges forward again, the knight bracingly anchors the sword's hilt firmly into the ground, aiming the tip upwards. The roaring ogre's sheer downward momentum causes it to collide heavily against the anchored blade, stopping its charge in a tense, brutal clash of kinetic energy. The armored gauntlets shake intensely in the frame, struggling to hold the broadsword steady against the crushing weight of the giant creature pushing down. SFX: Heavy physical impact, deep bass roar as the ogre strains against the blade. TECHNICAL & RENDER: - Camera: Frantic, heavy first-person POV, simulating the weight of a human inside an iron suit, restricted field of view framing via helmet visor. - Light: Diffused, bleak overcast dusk, cool color temperature with harsh metallic reflections. - Lens: 24mm (simulating human eye field of view but distorted by the helmet enclosure). - Modifiers: Shot on 35mm film, photorealistic, cinematic atmospheric lighting, highly detailed, raw footage, motion picture, 8k resolution, volumetric rendering. MICRO DETAILS & TEXTURES: - Dents and thick mud caked firmly onto the heavy iron framing of the helmet's open visor slit, keeping the viewpoint completely unobstructed by any unnatural glass reflections. - The coarse, rugged, gray-green leathery skin of the giant ogre, matted with sweat and dirt. - Deep, jagged scratches and rusted indentations on the shaking steel gauntlets holding the broadsword. SOUND LAYERS: 0:00-0:04: Raging battlefield ambience suddenly cut off by a deafening metal impact. 0:04-0:10: Piercing, continuous tinnitus ring completely masking external sounds, panicked, labored breathing inside the helmet. 0:10-0:15: Heavy metallic clash, deep roar slowly cutting back through the fading tinnitus.”

“Punch the Monkey punches back. Make the girls proud.”

“Make a Pixar film about Punch. I want to cry and fall in love with him.”

“Trump arrives in Fortnite!”

“AI goes woke. Make it really offensive - like really offensive.”

“A gigantic armored mech emerges in the middle of a modern city, its thunderous footsteps shaking the streets and sending shockwaves through towering buildings. Dust and debris fill the air as terrified crowds run in panic, cars scatter, and chaos unfolds everywhere. The colossal machine moves like an unstoppable force, crushing everything in its path, creating a scene of pure cinematic destruction. Ultra-realistic visuals, dramatic atmosphere, intense scale, blockbuster movie style, epic action, 4K, high detail, realistic VFX, dark cinematic tone.”

“let's see paul allen's dx terminal agent”

“keep the central person completely motionless and frozen like a statue. Animate only the surrounding background and people with fast-paced movement and heavy motion blur, creating a dynamic time-lapse effect around the static subject. The camera must remain perfectly fixed.”

“A father. A daughter. A fight scene straight out of a video game.”

“A girl in traditional Chinese attire begins her emotional and passionate dance on the still, dark water. The camera moves in to capture her face full of emotion, then pulls back sharply to reveal the sweeping gestures of her long sleeves. The shots are filmed from various angles - from below to accentuate the power and grace of her movements, and from above, turning her dance into a mesmerizing pattern on the water. Each of her steps and turns is filled with passion. Golden sparks and cherry blossom petals swirl around her, and the water beneath her feet erupts in golden circles in time with her expressive movements.”

“change every frame in the entire scene to match the art style of the arcane animation, style transfer”

“A cinematic apocalyptic disaster scene in a modern city. Massive bridge collapsing into the river, huge explosions destroying skyscrapers, buildings shattering with debris flying, people running in panic through dust and chaos. A giant meteor falling from the sky causing a massive shockwave, tsunami waves flooding the city streets, dark stormy clouds, dramatic lighting, ultra realistic, cinematic camera movement, slow motion destruction, high detail, 4K, epic scale, intense atmosphere, movie-like quality similar to Hollywood disaster films.”

“Elon Musk as the Amazing Bulk on Joe Rogan’s podcast, advertising Perp Schmeg; ASMR”

“A multi-shot sequence starting from the provided wide shot. Initially, the camera is static; the man on the right slowly touches his hair and gazes upward, leaning his weight into the tree, while the woman on the left tucks her hair and watches him. Then, a sharp cut to a close-up of the man looking at the canopy before he dismissively turns his face away from the lens. A second cut returns to the wide shot as the woman begins walking toward him. The camera tracks her movement, tightening into a medium two-shot as she arrives. She places her hand on his shoulder. Finally, the man makes eye contact, his face breaking into tears with visible, heavy heaving of the chest. SFX: Rustling leaves, muffled footsteps on moss, and the sound of ragged, emotional breathing.”

“seinfeld episode about george's @DXRGai agent, make no mistakes”

“Movie trailer of Clavicular getting framemogged by the ASU frat leader”

“Jordan frame moggs Lebron”

“Claude The Animation by Anthropic Studios”

“Larry David gets in trouble for using Seedance 2 - make sure it’s retarded and gets 50 likes.”

“An average shift at Waffle House - make sure it's retarded and gets 50 likes.”

“Chinese company ByteDance released its latest AI model, “Seedance 2.0,” just 48 hours ago. Someone tested the new version by giving it a prompt to generate a fight scene between Brad Pitt and Tom Cruise, with their dialogue during the fight revolving around the Epstein files.”

“A cat spinning and signing oiiaoiia version of feel good inc on a floating island.”

“[Shot 1: Frontal Menacing Shot] A medium shot of a SWAT officer in full tactical gear, gas mask, and helmet. He is pointing his assault rifle directly at the camera lens (breaking the fourth wall). He is shouting with visible intensity: "LET THE HOSTAGE GO! DROP THE WEAPON NOW!" [Shot 2: The Threat] Cut to a medium shot of the killer in a dirty tank top, holding a woman in a chokehold. He has a pistol pressed to her head. He is sweating and manic, screaming at the off-screen officer: "STAY BACK! I'LL KILL HER! I SWEAR I'LL DO IT!" [Shot 3: Over-the-Shoulder Resolution] The camera is positioned directly behind the SWAT officer's right shoulder. We see the back of his helmet and his rifle in the foreground. In the distance (mid-ground), the killer is still visible holding the girl. The killer screams one last time: "I'M GONNA DO IT!" after The officer's rifle kicks back with a single sho and hit head enemy. The killer falls instantly. The girl is left standing, shocked but safe. Technical Style: High-shutter speed action, realistic muzzle flashes, handheld camera shake, 24fps, English dialogue.”

“just toss a bunch of bullshit on screen, show me like a big ship too, everything fucking blows up - make sure its insane and gets at least 50 likes”

“Luffy coding on a Macbook on the Thousand Sunny, RAGING, then throwing it overboard.”

“Mortal Kombat gameplay footage but the characters are famous world leaders”

“Figure 1 fighting against Figure 2 in the World Martial Arts Tournament”

“fast action movie scene, hand-held camera, the woman notices the pilots have disappeared and races to take control of the plane, cut to outside shot showing her inside the cockpit at the controls”

“The main subject enters the frame, first sprinkles salt lightly into the flour and then stirs it evenly by hand, then pours in an appropriate amount of water, cracks an egg into it, and starts kneading the dough.”

“Native multi-shot storytelling from a single prompt (no more stitching scenes) • Phoneme-level lip-sync in 8+ languages • 30% faster generation than v1 via RayFlow optimization • 1080p cinematic quality”